Showing posts with label Arts Crafts and Folklife. Show all posts
Showing posts with label Arts Crafts and Folklife. Show all posts

Wednesday, October 4, 2017

Folklife artists share their craft...

Please join us at the Library and Archives on Oct. 14 from 10 a.m. to noon to learn more about the soon-to-be-released digital collection and learn more about folklife in Tennessee.

We are excited that peach pit carver Roger Smith will be present as a featured artist at the upcoming event. Roger R. Smith of Culleoka, Tennessee, is a cattle farmer and retired meter reader for the Duck River Electric Company.



While he doesn’t consider himself an artist, he carves amazing figures out of peach seeds using only his pocket knife. Mr. Smith creates animals, reptiles, people and even an entire baseball stadium complete with peach pit players, spectators and automobiles. He estimates that each figurine takes about four to eight hours to complete. Mr. Smith’s work has been on display at the Tennessee State Museum as well as the White House where his Santa carving was displayed on the tree as part of Christmas at the White House before becoming a permanent part of the White House ornament collection.

In addition, former Director of the Tennessee Arts Commission Folklife Program, Robert Cogswell, will speak about the collection and old-time buckdancer Thomas Maupin will be performing. Although the workshop is free and open to the public, registration is required due to seating limitations in the auditorium. To reserve seats, please visit folklifetsla.eventbrite.com.


The Tennessee State Library and Archives is a division of the Office of Tennessee Secretary of State Tre Hargett

Monday, September 18, 2017

Library and Archives Hosts Free Folklife Event

In partnership with the Tennessee Arts Commission, the Tennessee State Library and Archives will host a free event about folklife Oct. 14. Folklife is a multifaceted tradition which values oral stories, songs, art and many other cultural aspects.



The Library and Archives' abundant resources assert Tennessee as a premier resource for national folk studies. This upcoming event will highlight the publication of a large digital image collection consisting of approximately 22,000 photographs, slides, and negatives. Over 300 of these images will be released on the Tennessee Virtual Archive to coincide with the event, with the rest of the images to be published over subsequent years.

Dr. Robert Cogswell will speak about the collection he developed over three decades during his tenure as Director of the Tennessee Arts Commission Folklife Program. Dr. Cogswell retired from the Commission in 2014. Thomas Maupin, winner of the National Education Association’s National Heritage Fellowship award and renowned old-time buckdancer, will also perform. In addition, Roger R. Smith of Culleoka, Tennessee, will be on hand to talk about his craft. Smith carves figures from peach pits, including animals, reptiles, people, and even an entire baseball stadium complete with players, spectators, and automobiles. Smith’s work has been on display at the Tennessee State Museum as well as the White House. Free children’s craft activities will also be available during the event.



The event will be 10 a.m. until noon CDT Oct. 14 in the Library and Archives auditorium.

The Library and Archives is located at 403 Seventh Ave. North, directly west of the Tennessee State Capitol in downtown Nashville. Free parking is available around the Library and Archives building. Although the workshop is free and open to the public, registration is required due to seating limitations in the auditorium.

To reserve seats, please visit: https://folklifetsla.eventbrite.com.


The Tennessee State Library and Archives is a division of the Office of Tennessee Secretary of State Tre Hargett

Monday, February 27, 2017

Tennessee Music: Fife and Drum Blues

By Carol Roberts

Tennessee music is full of sounds and styles and some are more well known than others. Fife and drum music is a style of African-American music with its roots in African drumming, military fife and drum corps and blues influences. Along the Tennessee-Mississippi border are black communities where musicians are keeping the fife and drum tradition alive. They are going to events for the Fourth of July, Labor Day and many other parties and barbecues. They are also going to old time music and jazz festivals to highlight this rare version of the blues.

To hear audio files from the Tennessee State Parks Folklife Project Records of attendees at Chester County’s West Tennessee Folklife Festival that include fife and drum performances, please listen to the following audio file in the Tennessee Virtual Archive (TeVA): http://teva.contentdm.oclc.org/cdm/compoundobject/collection/p15138coll21/id/481/show/477/rec/11

Fife and drum groups gather to play at events with a fun drumming feel. The music of a cane fife cut with five or six fingerholes for notes and a base or snare drum bring out the rhythms of the past. Students of the sound consider it to have several unusual characteristics: African polyrhythmic undertones, drum marches of the military and the blues style of “call and response.” How do those combine? The music does sound a bit sharp at first, but the blues sound definitely comes through. This style of music was often the backdrop of the 1920s dance style of the “shimmie” of old juke joints and house parties.

West Tennessee fife and drum members performing outdoors. Ed Harris plays the fife while Emanuel Dupree sings “Hurry Down Sundown.” James Tatum is also a member of this group. 1980.
Tennessee State Parks Folklife Project Records, Tennessee State Library & Archives



The tradition of fife and drum originated with instruments left behind by Union troops that former slaves used for their own choices of music. There are traditions of military and state militias using slaves and former slaves as the fife and drum corps for marching of the troops in the late 18th century and continuing into mid-19th century.

Ed Harris plays the fife. 1980.
Tennessee State Parks Folklife Project Records, Tennessee State Library & Archives



The Tennessee State Parks Folklife Project, an oral history project launched by the Library & Archives, found several fife and drum musicians in Fayette County in the 1970s and 1980s. The main fife leader there was Ed Harris, along with his friends James Tatum, Anne Valentine and Emanuel Dupree. Harris taught many younger players who had a feel for the music. Dupree was a talented musician and basket maker. He loved the old ways and was eager to lead a group of folks in fife and drum songs for the project.

To hear audio files of Dupree from the Tennessee State Parks Folklife Project Records, please listen to the following audio file in the Tennessee Virtual Archive (TeVA): http://teva.contentdm.oclc.org/cdm/compoundobject/collection/p15138coll21/id/146/show/142/rec/20
 

West Tennessee fife and drum members performing outdoors. Ed Harris plays the fife while Emanuel Dupree sings “Hurry Down Sundown.” 1980.
Tennessee State Parks Folklife Project Records, Tennessee State Library & Archives


North Mississippi fife and drum musicians have become more prominent through the years. Otha Turner and Sid Hemphill and their families have been documented through many research programs in Mississippi. Alan Lomax began recording these North Mississippi fife and drum groups in the 1940s.

Today Turner’s granddaughter continues to perform with Rising Star Fife and Drum band. She also records with Luther Dickinson, a musician and historian of Delta blues music. She keeps the sound alive and ready for another generation to play music in West Tennessee and in the North Mississippi flatland.

Additional Resources





  • Search “fife and drum blues” on YouTube. Hear and see music by Sharde Thomas, Turner’s granddaughter, as well as the Rising Star Fife and Drum, North Mississippi All-Stars, Luther Dickinson and “the Wandering” and several other blues groups.



The Tennessee State Library and Archives is a division of the Tennessee Department of State and Tre Hargett, Secretary of State

Wednesday, February 15, 2017

A Family of Artists: The Streeters

By Lori Lockhart

Pablo Picasso once stated that “the purpose of art is washing the dust of daily life off our souls.” If that statement is correct, then one African-American family from Bedford County has been keeping people's souls clean for generations.

Colia Streeter was a renowned African-American country string musician. He played fiddle, banjo and guitar. He was born in Fairfield, just outside Wartrace, Bedford County, on Nov. 2, 1891. He was the son of George W. and Kittie Cole Nelson Streeter.

Colia Streeter (holding banjo) with his brother George Jr. and two unidentified adults [probably his parents George Sr. and Kittie]
Bedford County, circa 1905, Tennessee Arts Commission Folk Arts Program Records, Tennessee State Library & Archives



Colia Streeter grew up in Wartrace and began working on the railroad as a teenager. A pamphlet about his son, Vannoy Streeter, titled “The Life and Accomplishments of ‘Wireman’ Vannoy Streeter,” stated that Colia Streeter made “approximately 80 cents a day” working for the railroad. It was said that he always carried at least one instrument along with him wherever his work took him. In his off hours, he would always find a place to play and became quite a well-known musician from north Georgia to Nashville.

Wire sculpture of a man playing a banjo by Vannoy Streeter, 1989
Tennessee Arts Commission Folk Arts Program Records, Tennessee State Library & Archives



Colia Streeter had a brother named George, but everyone called him “Sut.” Sut Streeter was also an accomplished guitarist and would often accompany his brother. Sut Streeter rode and trained Tennessee Walking Horses. Sut Streeter's work with horses, growing up in Wartrace (“the Walking Horse Cradle of the World”), and his work as a stable boy for Strolling Jim (the first grand champion walking horse) would later inspire some of the Vannoy Streeter’s art work.

Tennessee Walking Horse wire sculptures by Vannoy Streeter, 1985-1986
Tennessee Arts Commission Folk Arts Program Records, Tennessee State Library & Archives



Colia Streeter died in 1965. According to Robert Cogswell in a 1996 issue of the “Tennessee Folklore Society Bulletin,” Colia Streeter was buried in Wartrace’s African-American cemetery off Haley Road. While no known recordings of Colia Streeter's music exist, his style lives on in the musicians he influenced over the years. An excerpt from an article, “Roy Harper: The Ways of the Past,” by Charles Wolfe in Vol. 1, No. 5, of “The Old-Time Herald” details Harper’s recollections of Colia Streeter’s music:

“He wasn’t just a straight blues picker -- he could work in all different styles, including fingerpicking. He was from down at Wartrace, but he was well known in Shelbyville and Murfreesboro. He was a favorite of the upper crust there, well-to-do white folks. They’d get him to play for their card parties or card games, and even for their rooster fights.”

Roy Harper, a musician who often credited Colia Streeter as one of his early influences, is photographed with his hand-painted guitar case on a railroad track in Coffee County (photograph by Dean Dixon), 2008
Tennessee Arts Commission Folk Arts Program Records, Tennessee State Library & Archives



Vannoy “Wireman” Streeter was the oldest of six children born to Ludie Vannoy and Colia Streeter. He was born Aug. 27, 1919 in Manchester, but grew up in Wartrace. Growing up in poverty gave him the inspiration that started him on his road to famous folk artist. When Vannoy Streeter was little, his parents could not afford toys for him or his siblings. He studied toys in store windows and decided to make his own. Vannoy Streeter used a material that was free and readily available to him - bailing wire. He and his cousin Willie would gather left over wire that people threw out after bailing their hay. They would use the wire to make toys for themselves and others. The first recipients of Vannoy Streeter’s sculptures were his mother and siblings.

Wire sculptures of a bicycle, a car, a truck and an airplane by Vannoy Streeter, 1986
Tennessee Arts Commission Folk Arts Program Records, Tennessee State Library & Archives



Vannoy Streeter started working outside his home at the age of 16 and had many careers in his lifetime. He broke and trained horses, laid tracks for the railroad, worked in a lumberyard, was a janitor at Wartrace High School and served as an orderly for the Bedford County Hospital in Shelbyville. Through it all, he continued to make his wire sculptures and work around horses. Each year, he would use his two weeks vacation from his job to work at the Tennessee Walking Horse National Celebration.

Vannoy Streeter bending wire for one of his sculptures at his home in Shelbyville, 1985
Tennessee Arts Commission Folk Arts Program Records, Tennessee State Library & Archives



Vannoy Streeter married Ezella Marie McLean on June 8, 1965. Marie Streeter had eight children previous to the marriage and Vannoy Streeter raised her children as his own. They made their home in Shelbyville. Vannoy Streeter died on May 13, 1998.

Vannoy Streeter holding one of his sculptures at his home in Shelbyville, 1985
Tennessee Arts Commission Folk Arts Program Records, Tennessee State Library & Archives



While many artists do not see fame in their lifetime, Vannoy Streeter was fortunate enough to see his work celebrated. In 1987, his wire sculptures were displayed at the inauguration dinner for Gov. Ned McWherter. In 1990, Vannoy Streeter was a demonstrating artist at the National Black Arts Festival in Atlanta. In 1991, he was named Heritage Craftsman by the Southern Highland Handicraft Guild. April 25, 1992, was proclaimed “Vannoy Streeter Day” by the City of Shelbyville. Vannoy Streeter made the “Smitty” awards for the W. O. Smith Community Music School (Paul Simon and Jimmy Buffett were among the recipients). His work has been displayed all over the world, most notably at the White House and the United States Embassy in Beijing.

For more information on the Streeters, take a look at the Tennessee Arts Commission Folk Arts Program Records at the Library & Archives: http://sos.tn.gov/products/tsla/tennessee-arts-commission-folk-arts-program-records-1899-2014


The Tennessee State Library and Archives is a division of the Tennessee Department of State and Tre Hargett, Secretary of State

Thursday, July 7, 2016

Free Workshop on Tennessee's Folk Traditions July 30

Tennessee is a state rich with folk traditions. By studying oral history interviews and song recordings, we can learn a lot about how people lived during simpler times. From hog killings to sorghum making to wash days to building railroads and banjos, the old ways of life in our communities have been passed down from generation to generation. Fortunately, these traditions of the past are not lost - the Tennessee State Library & Archives holds a vast collection of material about them.


A five-member mountain band. Shows members playing guitars, banjo, violin and mandolin. Photograph made outdoors in Sevier County, Tennessee.
Tennessee Virtual Archive - Arts, Crafts & Folklife Collection

Carol Roberts, conservation manager at the Library & Archives, will discuss these homespun traditions during the next event in our free lecture series. Her talk, titled "Preserving Tennessee Folkways: Highlights of the Folklife Collections of the Tennessee State Library & Archives," will be held in the Library & Archives auditorium July 30 from 9:30 a.m. until 11 a.m.

Her presentation will highlight collections that document “Tennessee folklife,” including the Tennessee State Parks Folklife Collection, the Zilphia Horton Folk Music Collection, the Highlander Collection, Tennessee Folklore Society Bulletins and Sound Recordings and interviews, captured on reel to reel and cassette tape, which help tell the stories of Tennessee's rural communities.

As conservation manager at the Library & Archives, Roberts oversees preservation work in the conservation lab and assists with programs to preserve historic records housed in the Library & Archives and in individual counties throughout the state. She's charged with the care and preservation of the state’s historic governmental documents, maps, books, photographs and many other types of media. She also actively participates in outreach programs, presentations and consultation projects throughout the state to educate others about preservation of archival and library materials.

"Tennessee's culture is tied to its many traditions, some of which date back decades or even centuries," Secretary of State Tre Hargett said. "Ms. Roberts' talk will share some examples from the vast trove of information we have detailing these traditions. I encourage people living in or around the Nashville area to attend this workshop if they can."

Although the lecture is free and open to the public, registration is required due to limited seating in the auditorium. To register, please visit: http://tennesseefolklife.eventbrite.com

The Library & Archives is located at 403 Seventh Avenue North, just west of the State Capitol in downtown Nashville. Free parking is available around the building.

The Tennessee State Library and Archives is a division of the Tennessee Department of State and Tre Hargett, Secretary of State

Wednesday, November 5, 2014

Tennessee State Library and Archives Releases a New Digital Collection Showcasing Tennessee Folklife

What do roley hole marbles, white oak baskets, shape-note singing, and banjoes have in common? All are examples of Tennessee folk culture or "folkways" available online in the Tennessee State Library and Archives’ newest digital collection: "Tennessee State Parks Folklife Project Collection, 1979-1984." The collection documents folk culture unique to Tennessee and highlights Tennessee's significant contributions to national studies of folklife.

Joseph Ernest Dyer, Henderson County resident and fiddle maker, is pictured with a fiddle he made as he discusses the techniques used in fiddle making and woodcraft. Dyer provides guitar performances of old time, blues, country, and religious music.
The Tennessee State Parks Folklife Project. Tennessee Virtual Archive (TeVA). Tennessee State Library and Archives.


In the late 1970s, Bobby Fulcher of the Tennessee Division of Parks and Recreation began a concerted effort to document and preserve Tennessee's diverse folk culture. The Tennessee State Parks Folklife Project was designed to contact and record interviews with local musicians, craftsmen, and storytellers in communities around six state parks; present programs in the parks using those local people; document on film and audio tape the folk art and folklore of the area; and organize and present annual community folk arts festivals within state parks. Folklorists Jay Orr, Elaine Lawless, and Raymond Allen all made significant contributions to the project.

This project produced more than 500 hours of audio tape, 9600 slides, and 2,200 black and white negatives, including duplicates of scores of historic photographs which had been cached for years by their owners. The recordings, held originally on reel-to-reel and cassettes and the accompanying photographs include material on traditional quilting, burial customs, storytelling, blacksmithing, herbal medicine, fishing, logging, farming techniques, and music. Nationally recognized ballad singers Dee and Delta Hicks and Joe, Ethel, and Creed Birchfield (founding members of the Roan Mountain Hilltoppers) are just a few of the musical artists featured in the collection.

Several years ago, the Tennessee State Library and Archives initiated a project to digitize selections of the audio recordings and photographs from the collection in order to improve public access. The recordings and images found in this collection represent just a sample of the rich material yet to be discovered. The digitization project is ongoing, and TSLA will add items as they become available. The collection may be found at http://www.tn.gov/tsla/TeVAsites/TSPFolklife/index.htm.

TSLA Conservator Carol Roberts will give a presentation on the collection in the TSLA auditorium, located at 403 7th Avenue North in downtown Nashville, from noon to 1 p.m. on Wednesday, Nov. 12. The program is free and open to the public.


The State Library and Archives is a division of the Tennessee Department of State and Tre Hargett, Secretary of State.

Friday, October 31, 2014

Haints and Witches and Legends...Oh my! Tennessee Folklife Myths and Legends

Tennessee has a long history of ghost tales, odd happenings and legendary individuals with larger than life personas. Perhaps our most well-known haint is the Bell Witch as her story has been called “America’s greatest ghost story.”

Dean confronts the Witch, An Authenticated History of the Famous Bell Witch: The Wonder of the 19th Century, and Unexplained Phenomenon of the Christian Era (1894) by M. V. Ingram, Library Collection.


In the early 19th Century, a spirit allegedly haunted the family of John Bell in Robertson County, Tennessee. In the first reported appearance of the witch, John Bell fired a shot at a “dog-like” creature which then vanished. Soon after, John’s children, Drewry and Elizabeth (Betsy), believed they saw other strange creatures around their home. These sightings were accompanied by strange sounds around the house. Betsy, Drewry and John began hearing unexplained knocks on the door and windows, and the sound of wings flapping against the ceilings and rats gnawing on bedposts. More disturbingly, the family claimed they could hear the echoes of choking and strangling along with a noise that sounded like chains dragging the ground and heavy objects hitting the floor. Sounds emanated from a bedroom as if “beds were suddenly and roughly pulled apart, to which was added the sounds of fighting dogs chained together, making the noise deafening.” The spirit reportedly increased its activity, physically abusing members of the family by striking, and pinching them and pulling their hair. Betsy seemed to be the most susceptible to the torture.

Elizabeth "Betsy" Bell, An Authenticated History of the Famous Bell Witch: The Wonder of the 19th Century, and Unexplained Phenomenon of the Christian Era (1894) by M. V. Ingram, Library Collection.


The Bell Witch focused relentlessly on causing the death of John Bell, Sr., and blasted “Old Jack Bell” with curses, heinous threats, and serious physical torments. As the abuse continued to impact his psyche, Bell took to his bed. On December 19, 1820, John Bell failed to leave his bed and his son, John Jr., went to the cupboard to retrieve the medicine for his care. Instead of the three medicine vials, he found only one. The vial was one-third full of a dark, smoky liquid of unknown origin. The voice of the Witch reportedly gloated, “It’s useless for you to try to relieve Old Jack – I have got him this time; he will never get up from that bed again!” The spirit claimed that she “gave Old Jack a big dose of it last night while he was fast asleep, which fixed him.” The contents of the vial were thrown into the fire and erupted into a blue blaze. John Bell died December 20, 1820. To add insult to injury, the Bell Witch crashed the funeral, disrupted the service and sang bawdy drinking songs. Following the death of John Bell, the Witch’s activity dropped off sharply. 


The Grave of John Bell, An Authenticated History of the Famous Bell Witch: The Wonder of the 19th Century, and Unexplained Phenomenon of the Christian Era (1894) by M. V. Ingram. Library Collection.


The Bell Witch may be the most famous ghost from Tennessee but she was certainly not the only apparition said to have haunted the state. Visitors to the Meriwether Lewis National Monument claim to have encountered strange sightings that some believe to be Lewis’ ghost. Others say that the cemetery at Carnton Plantation (Franklin), the site of the “five bloodiest hours” in the Civil War, is haunted as is Cherry Mansion (Savannah), The Eakin House (Shelbyville), Read House Hotel (Chattanooga), The Orpheum (Memphis), The Hermitage, Belmont and Belle Meade Mansions (Nashville). The list of Tennessee locations associated with ghost sightings appears to be endless.

In a 1979 oral history interview with Elaine Lawless for the Tennessee State Parks Folklife Project [http://teva.contentdm.oclc.org/cdm/ref/collection/p15138coll21/id/364], famed Macon County banjo player Cayce Russell recounted several ghost stories and witch tales. Russell discussed the old folk belief that sudden unknown illnesses could be the result of witchcraft. He further said that when someone had something wrong with them and believed a witch had “laid a spell on them,” they drew a picture on a large cedar tree in his grandfather’s yard, melted a silver dime, made a bullet out of it, and shot the picture in order to lift the spell.

Cayce Russell, June 19, 1979, Tennessee State Parks Folklife Collection.


Russell described Lick Branch Holler as “the most hainted place around” and told several ghost stories native to that area including Macon County’s own version of the headless horseman. “The man with no head on” was often seen in the holler on the Underwood Road. He was reported to be the spirit of a man killed by beheading during the Civil War. The audio files of this interview are some of many featured on the Tennessee State Library and Archives’ Folklife Collection in TeVA (Tennessee Virtual Archive). [http://www.tn.gov/tsla/TeVAsites/TSPFolklife/index.htm]

Reports of strange events of nature are also prevalent in Tennessee. On November 12 and 13, 1833, the Leonid meteor shower displayed a dazzling scene in the sky most visible in the deep South, particularly in Tennessee, Alabama, Florida, and Louisiana. Many people, having witnessed nothing so sensational before, believed the sky was falling and dubbed the night of November 12 as “the night the stars fell.” Since that time, numerous songs, books, poems and artworks were produced to commemorate the event. The song, “Stars Fell on Alabama,” has become an anthem to Southerners and, in 2002, the state of Alabama added the slogan to its license plates.

Shooting Star Quilt, undated, Quilts of Tennessee Collection.


On August 17, 1841, a rain of blood was reported on a tobacco farm near Lebanon, Wilson County, Tennessee. On August 24th, Walter B. Morris wrote a letter to his brother, Easton Morris, commenting that by the time his letter reached his brother, his brother would have already received notice “of the falling of flesh & blood as a shower of rain.” Morris recalled that he and a Dr. Edwards visited the place where the rain of blood occurred. While they were there, they met Dr. Gerard Troost, the state geologist, who arrived on the scene to write an article for the American Journal of Science. In his evaluation, Troost theorized that a tornado like wind “might have taken up part of an animal which was in a state of decomposition, and have brought it in contact with an electric cloud.” Under the heading “Rain of Blood,” a diary-like entry from a scrapbook kept by William F. Cooper stated that, if this had happened four hundred years ago, “such an occurrence would have struck terror into the hearts of whole nations.”

"Rain of Blood" Diary Entry, September 5, 1841, Cooper Family Papers, pages 80 and 81 from a "scrapbook" kept by William F. Cooper. The pages describe the rain of blood that reportedly occurred on a tobacco farm near Lebanon, Tennessee, on August 17, 1841.


While the rain of blood later proved to be a hoax, other legends were not so easily refuted. The Cherokee legend of U’tlun’ta or Spear-finger, for example, was described as having the appearance of an old woman, but possessing stone-covered skin. She had a long stony finger that resembled a spearhead. U’tlun’ta was best known for her ravenous appetite for livers, which she took from any person unfortunate enough to cross her. According to legend, U’tlun’ta often changed her appearance to resemble a family member or coaxed children to come near and then used her finger to slice out their livers.

U'tlun'ta - Spear Finger, 2009, Original artwork by James Castro.


Other amazing stories in Tennessee relate to animals and wildlife. For years, divers in the Tennessee River have told stories about seeing catfish big enough to swallow a man whole. The stories have gained so much public appeal that Snopes.com has devoted a section on its website about them. [http://www.snopes.com/critters/lurkers/catfish.asp] Several images in the vast collections at the Tennessee State Library and Archives lend support these amazing fish tales.

Tom Woods with a giant catfish, August 18, 1939, Department of Conservation Photograph Collection.


For more information about the stories in this blog post as well as other spooky accounts, visit the Tennessee State Library and Archives or check out the Tennessee Myth and Legends exhibit on TSLA’s website: http://tn.gov/tsla/exhibits/myth/index.htm.



The State Library and Archives is a division of the Tennessee Department of State and Tre Hargett, Secretary of State.

Friday, May 2, 2014

Take a step back in time through TSLA's Arts, Crafts, and Folklife Photographs

As the Tennessee Craft Festival gets underway this weekend, we are reminded of Tennessee’s fine craft tradition and our state’s handmade legacy in the local fine craft movement. The Tennessee State Library and Archives' collection, Arts, Crafts, and Folklife Photographs is a beautiful collection of images revealing this rich Appalachian tradition of arts and crafts.



Many photographs in this collection illustrate the Appalachian legacy of handicrafts, such as woodworking, broom making, chair making, weaving, sewing, whittling, and pottery.

The photographs in this collection are only a small selection from Record Group 82: the Tennessee Department of Conservation Photograph Collection, 1937-1976. The Tennessee Department of Conservation (TDOC) was established “to work toward a program of restoration, development and conservation of our renewable and non-renewable natural resources.” Encompassing various existing divisions and commissions, TDOC added several other divisions, including a “Conservation Education Section.” A new magazine, Tennessee Wildlife (today known as The Tennessee Conservationist), was created by TDOC as a forum for sportsmen’s interests and to showcase Tennessee’s natural and cultural history.

The most efficient way of highlighting this natural and cultural history was by publishing images taken across the state. TDOC hired its first photographer, Paul A. Moore, in 1937. Other photographers employed by this department over the years were James L. Bailey, Wallace Danley, Al Marsh, Dan Grice, Bill Shipley, Bob Ferguson, Dave Murrian, Bill Cox, Aubrey Watson, Charles Jackson, George Hornal, Jim Robertson, and Tim Frazier.

Two Women Making Corn Shuck Dolls and Baskets. TeVA Arts, Crafts, and Folklife Photograph Collection.


Several of the photographs in this collection portray families or other groups of people engaged in these representative crafts or other pursuits. Tasks such as basket weaving or chair making were often embraced by all members of a family. This shared experience provided income for the family unit as well as important social interaction with one another in the days before television, radio, and other diversions. This family or other group interaction can be seen in several photographs, such as the men splitting logs together or the ladies sewing baseballs with one another.

The region experienced resurgence in the craft tradition in the 1890s, as outsiders “discovered” Appalachian culture. Several folk schools were established in the early 20th century to foster the native craft tradition. As several photographs in this series illustrate, native Southern Highlanders realized the market for the products that outsiders considered intriguing forms of folk art. Several of the images in this series show individuals demonstrating their crafts to others, perhaps with intention to sell such items as baskets, pottery, etc.

The images in this digital collection, depicting individuals and cultural traditions throughout the Appalachian region of the state, are a selection of photographs taken from the Arts, Crafts, and Folklife series of Record Group 82: Tennessee Department of Conservation Photograph Collection, 1937-1976. Record Record Group 82 as a whole (grouped into 33 series) consists of over 11,000 photographic images and about 21,000 negatives. The record group was retrieved by Mr. Mack S. Pritchard, State Archaeologist, and transferred to the Tennessee State Library and Archives in the early 1970s. View some of the photographs online or stop by to see more!

The Tennessee State Library and Archives is located at 403 Seventh Avenue North, directly west of the State Capitol building in downtown Nashville. TSLA is open Tuesdays through Saturdays, from 8 a.m. until 4:30 p.m., with the exception of state holidays. Parking is available in front, behind and beside the building.


The State Library and Archives is a division of the Tennessee Department of State and Tre Hargett, Secretary of State.